meander tail-off mithers (or add ons) in fall songs (or supplements)

I like the above (title) mentioned features of some songs by "the fall", I am reminded of the "alluvials" mentioned by kerouac in some letter or something gone missing sorry. I mean when the song is fairly ended but a spoken almost line or two extra is added and seems to encapsulate the something or other essence of said song aforementioned capped, or possibly it is a snippet of one performance happily recorded when a reaching past the usual limit was attempted, duende-style -- I am not generally interested in lyric content all that much so dislike often "singer-songwriter" peoples but here is a lyric gloop that acts physical with the musical thing like a particular gaah-ガ～～ moment and so it is like a shred of important nonsense.

examples: from "paranoid man in cheap shit room":
"sky calendar bar home -- speculates[w.chuckling]" -- this is not on the peel session version. Has many lyric highpoints:
"serial number 5 4 1 2 9" "his neighbours now / are listening to this" "goes down to the dance / very clever" "puts his head down / when girls pass in the street" "on trips mental inertia" "just like I told ya / refers to karaoke" -- are just some I hastily transcribe with errors almost guaranteed.

the stunning wry last seconds of "weather report 2":
"never mind / ??/ what about sex sounds/ recording of lost london / you don't deserve rock n roll" +[intake of breath as if to say something else but instead it ends there] (and end of album too)

and lastly "he pep" which may be current most-favoured song by "the fall":
"you had the best summer / and now it's wearing off / no more excuses / for your traitorism" -- and in its peel session version it ends extended alluvially as follows:
"... to the old guard / in the cold dark winter / on the 17th of December"